Dennis Hopper's lost prints on show in Berlin

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For Subscribers

FOR SUBSCRIBERSAbdul El-Sayed tries to woo MAHA voters as Democrats seek inroads with RFK’s supporters

FOR SUBSCRIBERSKratom-like substances are popping up in a typically benign supplement

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FOR SUBSCRIBERSOpenAI CEO Sam Altman to skip congressional hearing on rogue AI agents

FOR SUBSCRIBERSKey DOJ lawyers departed Trump ‘grand conspiracy’ probe amid pressure to produce, source says

FOR SUBSCRIBERSTrump’s new AI chatbot often links to a site launched under Clinton 26 years ago

FOR SUBSCRIBERSAt MAHA summit, industry CEOs the movement once vilified take the stage

FOR SUBSCRIBERSThis Paralympian has two goals: Win medals and give away $500,000 to her teammates

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FOR SUBSCRIBERSDecades-old march dispute reignites in Northern Ireland, threatening political crisis

The Journal of Photography — Lying hidden away in Dennis Hopper’s home until their discovery months after the artist’s death in 2010, this collection of photographs, exhibited in 1969-70 at the Fort Worth Art Center Museum, and now in Berlin, is a testament to Hopper’s prolific and enormous talent behind the camera. These photographs are spontaneous, intimate, poetic, observant, and decidedly political. While some are portraits of figures within Hopper’s circle of actor, artist, musician, and poet friends — including Jane Fonda, Paul Newman, and Robert Rauschenberg — they also include images from his extensive travels in Los Angeles, New York, London, Mexico, and Peru. Hopper’s abiding support of the civil rights movement and social justice is evident in his shots from the march on Selma and Harlem street scenes. Throughout this volume Hopper’s sensitive, keenly observant eye shines through, making it clear that he was a deeply committed chronicler of the events that were unfolding around him.

See more images from the Dennis Hopper exhibition

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